
Discourse on Criticism and of Poetry: From Poems On Several Occasions (1707)
Written by Samuel Cobb
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Themes, characters and key ideas in Discourse on Criticism and of Poetry: From Poems On Several Occasions (1707), written by Chaptra AI.
- about 8 hours
- advanced
- Analytical
- Didactic
- Reflective
Samuel Cobb's "Discourse on Criticism and of Poetry" is a foundational essay from the early 18th-century Augustan era, exploring the intertwined nature of poetic creation and literary judgment. Cobb, a Cambridge-educated scholar, delves into the historical evolution and divine origins of poetry, articulating its essential characteristics and the genius required for its creation. Simultaneously, he critiques the often-harsh and rule-bound practices of contemporary critics, advocating for a more nuanced and appreciative understanding of poetic works. The discourse champions poetic liberty and individuality, emphasizing the importance of creativity over rigid adherence to prescriptive rules, thereby positioning Cobb as an advocate for the poet's freedom in the literary landscape.
“True poetry, like a divine spark, transcends mere rules and warms the soul with its inherent fire.”
Key themes
- The Nature and Evolution of Poetry
- Cobb extensively explores what constitutes poetry, tracing its historical development from ancient, divinely inspired origins through various periods. He seeks to define its essential characteristics, such as its power to move, instruct, and evoke imagination, beyond mere technical skill.
- The Role and Responsibility of the Critic
- A central focus of the discourse is Cobb's examination of literary criticism. He critiques the often-harsh, prescriptive, and rule-bound judgments of his contemporaries, arguing for a more discerning, empathetic, and constructive role for the critic.
- Poetic Liberty vs. Adherence to Rules
- Cobb argues passionately for the poet's freedom to innovate and express individuality, challenging the prevalent Augustan emphasis on strict adherence to classical rules and conventions. He champions creativity and imagination over mere technical correctness.
Worth discussing
How does Cobb's argument for 'poetic liberty' challenge or align with other Augustan literary theories, such as those of Pope or Dryden?
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