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Cover of Discourse on Criticism and of Poetry: From Poems On Several Occasions (1707)

Discourse on Criticism and of Poetry: From Poems On Several Occasions (1707)

Written by Samuel Cobb

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About this book

"Discourse on Criticism and of Poetry" by Samuel Cobb is an essay on literary criticism and poetic expression written during the early 18th century, a period often referred to as the Augustan era. This book serves as both a discourse on the nature of poetry and a reflection on the art of criticism, exploring how poetry has developed and how it is judged. Cobb, who was educated at Cambridge and known for his wit and learning, examines the role of both the poet and the critic in shaping literature. Throughout this discourse, Cobb delves into the antiquity and evolution of poetry, considering its divine origins and the influence of various historical figures. He discusses the characteristics that define great poetry and critiques contemporary critics for their often harsh judgments. By weaving together historical allusions with reflections on the craft, Cobb argues for a more nuanced understanding of poetry—one that values creativity and individuality over mere adherence to rules. He highlights the interplay between genius and discipline in the literary arts, positioning himself as an advocate for the poet's liberty in crafting their work free from the constraints imposed by rigid criticism.

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Reading guide

Themes, characters and key ideas in Discourse on Criticism and of Poetry: From Poems On Several Occasions (1707), written by Chaptra AI.

  • about 8 hours
  • advanced
  • Analytical
  • Didactic
  • Reflective

Samuel Cobb's "Discourse on Criticism and of Poetry" is a foundational essay from the early 18th-century Augustan era, exploring the intertwined nature of poetic creation and literary judgment. Cobb, a Cambridge-educated scholar, delves into the historical evolution and divine origins of poetry, articulating its essential characteristics and the genius required for its creation. Simultaneously, he critiques the often-harsh and rule-bound practices of contemporary critics, advocating for a more nuanced and appreciative understanding of poetic works. The discourse champions poetic liberty and individuality, emphasizing the importance of creativity over rigid adherence to prescriptive rules, thereby positioning Cobb as an advocate for the poet's freedom in the literary landscape.

True poetry, like a divine spark, transcends mere rules and warms the soul with its inherent fire.

Key themes

The Nature and Evolution of Poetry
Cobb extensively explores what constitutes poetry, tracing its historical development from ancient, divinely inspired origins through various periods. He seeks to define its essential characteristics, such as its power to move, instruct, and evoke imagination, beyond mere technical skill.
The Role and Responsibility of the Critic
A central focus of the discourse is Cobb's examination of literary criticism. He critiques the often-harsh, prescriptive, and rule-bound judgments of his contemporaries, arguing for a more discerning, empathetic, and constructive role for the critic.
Poetic Liberty vs. Adherence to Rules
Cobb argues passionately for the poet's freedom to innovate and express individuality, challenging the prevalent Augustan emphasis on strict adherence to classical rules and conventions. He champions creativity and imagination over mere technical correctness.

Worth discussing

How does Cobb's argument for 'poetic liberty' challenge or align with other Augustan literary theories, such as those of Pope or Dryden?

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