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Platonism in English poetry of the sixteenth and seventeenth centuries
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A clearer way to understand Platonism in English poetry of the sixteenth and seventeenth centuries through themes, characters, and key ideas
This reading guide highlights what stands out in Platonism in English poetry of the sixteenth and seventeenth centuries through 4 core themes, 3 character profiles. It is meant to help readers decide whether the book fits their taste and deepen the reading once they begin.
About this book
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What the book is doing
John Smith Harrison's "Platonism in English Poetry of the Sixteenth and Seventeenth Centuries" is an early 20th-century scholarly work that meticulously explores the pervasive influence of Platonic philosophy on English poets of the specified era. The treatise argues that Platonism provided a fundamental spiritual and ethical framework, shaping their understanding and depiction of love, beauty, holiness, and moral ideals. Harrison's critical approach examines this influence as a collective phenomenon rather than through isolated individual poets, offering deep insights into how concepts like the duality of earthly and heavenly beauty manifested in works such as Edmund Spenser's "The Faerie Queene." The book serves as a crucial examination of the intricate relationship between philosophy and poetic expression during a pivotal period in English literary history, illuminating the philosophical underpinnings of enduring literary achievements.
Key Themes
The Duality of Earthly vs. Heavenly Beauty
This theme explores the Platonic concept of two types of beauty: the transient, imperfect beauty found in the physical world, and the eternal, perfect beauty of the divine or ideal Forms. Harrison demonstrates how poets of the 16th and 17th centuries frequently contrasted these two, often using earthly beauty as a stepping stone or a deceptive facade for the higher, spiritual beauty. This duality informs their aesthetic and moral considerations, shaping their depictions of love, nature, and human experience.
Love as a Spiritual Ascent
Stemming directly from Platonic Eros, this theme details how love in English poetry of the period was often portrayed not merely as physical attraction but as a hierarchical progression from base, carnal desire to a pure, intellectual, and ultimately divine adoration. Harrison shows how poets used this framework to explore human relationships, moral development, and the quest for spiritual enlightenment, positioning love as a transformative force that elevates the soul towards the Good and the Beautiful.
“"The influence of Platonic philosophy on English poetry... is not merely an individual borrowing but a collective shaping force on the spiritual and ethical framework."”
How does Harrison's approach of analyzing Platonism as a 'collective influence' rather than individual borrowings contribute to our understanding of the period's poetry?
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