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None so Deaf As Those Who Won't Hear: A Comedietta in One Act
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More by Herbert Pelham Curtis
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A clearer way to understand None so Deaf As Those Who Won't Hear: A Comedietta in One Act through themes, characters, and key ideas
This reading guide highlights what stands out in None so Deaf As Those Who Won't Hear: A Comedietta in One Act through 3 core themes, 3 character profiles. It is meant to help readers decide whether the book fits their taste and deepen the reading once they begin.
About this book
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What the book is doing
Herbert Pelham Curtis's "None so Deaf As Those Who Won't Hear" is a delightful one-act comedietta that masterfully explores the theme of willful ignorance through a series of humorous misunderstandings and farcical situations. Centered around a stubborn character who steadfastly refuses to acknowledge inconvenient truths, the play showcases the comedic potential inherent in human denial. It provides a lighthearted yet pointed commentary on communication breakdowns and the lengths to which individuals go to maintain their preferred reality. Ultimately, the play resolves with a gentle, often forced, acceptance of facts, highlighting the futility of persistent denial.
Key Themes
Willful Ignorance / Denial
This is the central theme, directly drawn from the play's title. It explores the human tendency to deliberately ignore or refuse to acknowledge facts, truths, or realities that are inconvenient, unpleasant, or challenge one's established worldview. The play comically illustrates the lengths to which individuals will go to maintain their denial.
Communication Breakdown
The play vividly portrays the comedic and frustrating aspects of communication when one party actively obstructs it. It's not merely a misunderstanding, but a deliberate failure to connect, where words are twisted, ignored, or simply not 'heard' by the intended recipient, leading to escalating absurdity.
“"My dear, there's nothing wrong with the roof that a good strong gust of wind won't fix... or perhaps a fresh coat of paint!"”
How does the play use humor to explore the serious theme of denial?
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