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Aspects of the novel

Written by E. M. (Edward Morgan) Forster

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About this book

"Aspects of the Novel" by E. M. Forster is a literary critique written in the early 20th century. This work compiles a series of lectures that delves into the various elements that constitute the novel, exploring aspects like story, characters, plot, and the rhythm of narration. Forster aims to clarify the complexities of the novel form, providing insights that will resonate with both readers and writers, and discusses the nuances that define successful storytelling. The opening of "Aspects of the Novel" establishes its framework, introducing the author's intention to explore the novel through a mix of humor and intellectual insights. Forster begins by reflecting on the essence of storytelling and its fundamental importance to the structure of novels. He hints at the included discussions about influential authors and offers a critique of both the nature of characters and the role of the reader's interpretation. The initial chapters aim to break down traditional notions of literary analysis, contrasting the narrative qualities of classic and contemporary works, and setting the stage for nuanced examinations of various writing styles and techniques within the realm of fiction.

Reading guide

Themes, characters and key ideas in Aspects of the novel, written by Chaptra AI.

  • about 10 hours
  • intermediate
  • Insightful
  • Witty
  • Analytical

E. M. Forster's "Aspects of the Novel" is a foundational work of literary criticism, compiling a series of lectures delivered in 1927. In it, Forster systematically dissects the novel form, exploring its fundamental elements such as story, plot, characterization (introducing the famous concepts of 'flat' and 'round' characters), fantasy, prophecy, and rhythm. Employing a witty, conversational, and accessible style, Forster draws upon a vast array of English and French literature to illustrate his points, offering both a practical guide for understanding novelistic techniques and profound insights into the art of storytelling. The book aims to demystify the complexities of fiction, enhancing appreciation for both readers and writers through its enduring analytical framework.

The king died and then the queen died. The king died and then the queen died of grief.

Key themes

The Nature of Narrative
Forster meticulously dissects the fundamental components of storytelling, most famously distinguishing between 'story' (a chronological sequence of events, driven by 'and then...') and 'plot' (a causal sequence, driven by 'why?'). This theme explores how these elements combine and interact to create meaning and suspense, moving beyond simple chronology to the logical and psychological motivations behind events.
Characterization: Flat vs. Round
Perhaps Forster's most enduring contribution, this theme categorizes literary characters into two types: 'flat' (constructed around a single idea or quality, predictable) and 'round' (complex, capable of surprising the reader in a convincing way, evolving). He explores the functions of each type, arguing that both are necessary for a novel's success, but 'round' characters are essential for depth and realism.
Aesthetic Structure: Pattern and Rhythm
Forster delves into the aesthetic organization of the novel, discussing how authors create coherence and beauty beyond mere plot. 'Pattern' refers to the overall design or shape of the novel, often involving symmetry or recurring motifs. 'Rhythm' is a more elusive concept, akin to the musicality of prose, involving recurring ideas or images that accrue significance, creating a subtle, cumulative effect on the reader.

Worth discussing

How relevant are Forster's distinctions between 'story' and 'plot' in contemporary fiction? Can you think of examples that challenge or reinforce his definitions?

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