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Amphitryo, Asinaria, Aulularia, Bacchides, Captivi: Amphitryon, The Comedy of Asses, The Pot of Gold, The Two; Bacchises, The Captives

Written by Titus Maccius Plautus

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About this book

"Amphitryon, Asinaria, Aulularia, Bacchides, Captivi" by Titus Maccius Plautus is a collection of comedies written in the late 3rd century BC. This compilation features notable plays, with the first being "Amphitryon," which draws on mythological themes and involves comical deceptions by the gods Jupiter and Mercury. The characters are steeped in classic Roman humor, highlighting the absurdity of mistaken identities and romantic entanglements. At the start of "Amphitryon," we learn of the god Jupiter's deceitful encounter with Alcmena, the wife of the warrior Amphitryon, during his absence in battle. Disguising himself as Amphitryon, Jupiter seeks romantic fulfillment, while the genuine Amphitryon is away fighting the Teloboians. The prologue introduces Mercury, who sets the stage for this tale of confusion and mischief, as he also assumes the form of Sosia, Amphitryon’s servant. The opening unfolds with Sosia's return, where he humorously grapples with the strange happenings at home, not grasping that both he and Amphitryon are pawns in a divine game. The stage is set for humorous interactions and misunderstandings that characterize Plautus's work.

Reading guide

Themes, characters and key ideas in Amphitryo, Asinaria, Aulularia, Bacchides, Captivi: Amphitryon, The Comedy of Asses, The Pot of Gold, The Two; Bacchises, The Captives, written by Chaptra AI.

  • about 15 hours
  • intermediate
  • humorous
  • farcical
  • witty

Titus Maccius Plautus's collection, "Amphitryo, Asinaria, Aulularia, Bacchides, Captivi," showcases the brilliance of early Roman comedy through five distinct plays. Characterized by intricate plots, witty dialogue, and a reliance on mistaken identities and divine intervention, these works explore themes of love, greed, social hierarchy, and deception. Plautus masterfully employs stock characters—from the clever slave and the boastful soldier to the miserly old man and the courtesan—to craft farcical situations that resonate with enduring humor. This compilation provides a window into ancient Roman entertainment and social mores, solidifying Plautus's legacy as a foundational figure in Western comedic tradition.

A man's character is not to be judged by his face, but by his actions, especially when a god wears it!

Key themes

Mistaken Identity
Mistaken identity is the cornerstone of Plautine comedy, particularly evident in 'Amphitryon' where divine and mortal doubles create utter chaos. It explores how identity is perceived through appearance, leading to humorous misunderstandings and existential confusion.
Deception and Manipulation
Whether divine or human, deception is a driving force in Plautus's plots. Gods manipulate mortals for pleasure, while clever slaves outwit their masters, highlighting power dynamics and the ingenuity of the marginalized.
Social Hierarchy and Class Dynamics
Plautus frequently satirizes or plays with the rigid social structures of Roman society. Slaves often demonstrate superior intelligence and wit compared to their masters, providing a comedic inversion of power.

Worth discussing

How do Plautus's plays use mistaken identity to explore themes of appearance vs. reality?

Chapter-by-chapter breakdowns, character arcs and the full thematic analysis come with a free account.

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