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Tools and materials illustrating the Japanese method of colour-printing
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More by Edward Fairbrother Strange
Browse all books by this authorExplore Color prints, Japanese Books
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A clearer way to understand Tools and materials illustrating the Japanese method of colour-printing through themes, characters, and key ideas
This reading guide highlights what stands out in Tools and materials illustrating the Japanese method of colour-printing through 3 core themes. It is meant to help readers decide whether the book fits their taste and deepen the reading once they begin.
About this book
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What the book is doing
Edward Strange's "Tools and materials illustrating the Japanese method of colour-printing," published in 1913, is a pivotal scholarly catalogue meticulously documenting the intricate process of Japanese woodblock printing. This comprehensive guide systematically details every stage, from initial artistic design and block engraving to color application and final printing techniques, including the specialized tools like the 'Baren' and specific materials. Aimed at both educators and art enthusiasts, the book serves as an invaluable historical and technical resource, illuminating the craftsmanship, evolution, and cultural significance of this unique art form. Enhanced by illustrations and historical notes, it offers profound insights into a cherished aspect of Japanese artistic heritage.
Key Themes
Preservation of Craft
The book's primary purpose is to meticulously document and thus preserve the intricate, multi-faceted process of Japanese woodblock colour-printing. It captures the knowledge and techniques that might otherwise be lost, ensuring that future generations can understand and potentially replicate this complex art form. Strange's work is a testament to the value of detailed historical and technical records in safeguarding cultural heritage.
Intersection of Art and Technology
This theme explores how artistic expression in Japanese woodblock printing is inextricably linked with sophisticated technical processes and specialized tools. The book reveals that the aesthetic outcome is not merely a matter of creative vision but also of engineering precision, material science, and mastery of a complex production workflow. It demonstrates that 'technology' in art is not solely modern, but a historical constant, embodying ingenuity in the service of beauty.
“"The genius of Japanese colour-printing lies not merely in artistic conception, but equally in the exquisite precision of its execution."”
How does documenting artistic processes, as Strange does, contribute to the preservation of cultural heritage and traditional crafts?
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