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The Romantic National Tale and the Question of Ireland

Written by Ina Ferris

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223 pages, about 4 hours of reading

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About this book

Ina Ferris examines the way in which the problem of 'incomplete union' generated by the formation of the United Kingdom in 1800 destabilised British public discourse in the early decades of the nineteenth century. Ferris offers the first full-length study of the chief genre to emerge out of the political problem of Union: the national tale, an intercultural and mostly female-authored fictional mode that articulated Irish grievances to English readers. Ferris draws on current theory and archival research to show how the national tale crucially intersected with other public genres such as travel narratives, critical reviews and political discourse. In this fascinating study, Ferris shows how the national tales of Morgan, Edgeworth, Maturin, and the Banim brothers dislodged key British assumptions and foundational narratives of history, family and gender in the period.

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Reading guide

Themes, characters and key ideas in The Romantic National Tale and the Question of Ireland, written by Chaptra AI.

  • about 8 hours
  • advanced
  • scholarly
  • analytical
  • insightful

Ina Ferris's "The Romantic National Tale and the Question of Ireland" offers a groundbreaking examination of how the 'incomplete union' following the 1800 Act of Union profoundly destabilized British public discourse in the early 19th century. Ferris identifies the 'national tale' as the primary literary genre to emerge from this political quandary, characterizing it as an intercultural, predominantly female-authored fictional mode that served to articulate Irish grievances to an English readership. The book meticulously demonstrates how this genre, through the works of authors like Morgan, Edgeworth, Maturin, and the Banim brothers, challenged foundational British narratives concerning history, family, and gender. Drawing on extensive archival research and contemporary literary theory, Ferris reveals the national tale's crucial intersections with other public genres, establishing its vital role in shaping Anglo-Irish relations and literary history.

"The problem of 'incomplete union' generated by the formation of the United Kingdom in 1800 profoundly destabilised British public discourse."

Key themes

The 'Incomplete Union' and National Identity
This is the foundational theme of the book, exploring how the 1800 Act of Union, rather than creating a stable political entity, resulted in a deeply unstable 'incomplete union.' Ferris argues this instability profoundly affected British public discourse and led to a crisis of national identity for both England and Ireland. The national tale emerged as a literary space to grapple with this fractured identity, articulating Irish perspectives and challenging the monolithic idea of 'Britishness.'
Genre Formation and Literary Response to Political Crisis
Ferris's book itself is a study of how a specific literary genre—the national tale—emerged directly in response to a profound political crisis. This theme explores the dynamic relationship between historical events and literary innovation, demonstrating how writers actively intervened in public discourse by shaping new narrative forms. Ferris details the characteristics of the national tale and its role in articulating grievances and questioning dominant narratives.
Gender, Nation, and Imperial Critique
Ferris emphasizes the significant role of female authors in the national tale genre, arguing that their perspectives offered unique avenues for critiquing imperial assumptions and gender norms. This theme explores how women writers used the genre to challenge patriarchal structures within both Irish and British society, and how their narratives often linked the subjugation of women to the colonial subjugation of Ireland.

Worth discussing

How does Ferris define the 'incomplete union,' and what are its literary and political manifestations in the early 19th century?

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