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Cover of The Asian Family in Literature and Film

The Asian Family in Literature and Film

Written by Bernard Wilson,Sharifah Aishah Osman

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608 pages, about 12 hours of reading

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About this book

This book offers a key analysis of the changing perceptions of family in East Asian societies and the dynamic metamorphosis of “traditional” family units through the twentieth century and into the new millennium. The book focuses on investigations of the Asian family as it is represented in literature, film, and other visual media emerging from within China, Japan, South Korea, and Taiwan, and on contestations of the power hegemonies and moral codes that underpin such representations, while also assessing Western and global influences on the Asian family. Individually and collectively, these essays examine traditions and transformations in the evolving conception of family itself and bring together a range of scholars from within and beyond the region to reflect upon the social and cultural mores represented in these texts, the issues that concern Asian families, and projections for future families in their own societies and in a globalized world. Through the written text and the lens of the camera, what directions has the understanding of family in an Asian context taken in the twenty-first century? How have the multiple platforms of media represented, encouraged, or resisted transitions during this time? Amid broader and mutating referential frameworks and cross-cultural influences, is the traditional concept of the “nuclear family” still relevant in the twenty-first century? This book lends further prominence to the diverse literary and cinematic production within East Asia and the eclectic range of media used to represent these ideas. It will be essential reading for scholars of literature, film studies, and Asian studies, and for those with an interest in the cultural and sociological implications of the changing definitions and parameters of the family unit.

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Reading guide

Themes, characters and key ideas in The Asian Family in Literature and Film, written by Chaptra AI.

  • about 30 hours
  • advanced
  • academic
  • analytical
  • informative

This academic edited collection, authored by Bernard Wilson and Sharifah Aishah Osman, offers a crucial interdisciplinary analysis of the evolving perceptions and dynamic transformations of family units in East Asian societies throughout the twentieth century and into the new millennium. Focusing on representations in literature, film, and other visual media from China, Japan, South Korea, and Taiwan, the book investigates how traditional family structures are challenged and redefined. It critically examines power dynamics, moral codes, and the significant impact of Western and global influences on the Asian family. Through a diverse range of scholarly essays, the book explores the future trajectory of family in a globalized world, questioning the continued relevance of the 'nuclear family' concept in the twenty-first century.

"Through the written text and the lens of the camera, what directions has the understanding of family in an Asian context taken in the twenty-first century?"

Key themes

Tradition vs. Modernity in Family Structures
This theme explores the tension and evolution between established, often Confucian-influenced, traditional family norms (e.g., filial piety, arranged marriages, patriarchal hierarchies) and the pressures of modernization, urbanization, industrialization, and changing social values. The book examines how literature and film depict this ongoing conflict and the emergence of new family forms.
Media Representation and Shaping of Family
This theme investigates how various media – literature, film, and visual arts – serve not only as mirrors reflecting societal changes in family structures but also as powerful agents actively shaping perceptions, encouraging, or resisting these transitions. The book analyzes the narrative strategies and visual aesthetics employed to construct and deconstruct familial ideals.
Western and Global Influences on the Asian Family
This theme explores the impact of external forces, particularly from Western cultures and the broader process of globalization, on the conception and practice of family in East Asia. It examines how ideas like individualism, romantic love, nuclear family models, and consumerism have interacted with and sometimes challenged indigenous family traditions.

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How do specific literary or cinematic examples from your own cultural context reflect or challenge the 'traditional' family unit?

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