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Style and Sense(s)

Written by Linda Pillière,Sandrine Sorlin

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311 pages, about 6 hours of reading

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About this book

This edited volume celebrates cutting-edge research in stylistics and, more specifically, recent work on sense and the senses. The title originated in the Poetics and Linguistics Association (PALA) 2022 conference and marks the 40th onsite event by showcasing some of the excellent papers delivered on that occasion. The selected chapters fall into 4 parts each of which gives pride of place to how style makes sense and how senses make style. The chapters follow research in neuroscience and sociocognition, investigate how body and mind are inextricably linked through embodied meaning; how emotions are both conveyed and perceived; and how impressions, thoughts and worldviews can be induced by a certain style. The apprehension of the senses is carried through a variety of theories (cognitive linguistics and stylistics, ecostylistics, phenomenology, simulation theory, enactivism, metaphor theory, Text World Theory) and is applied to various genres (poetry, novels, short stories, detectivefiction, restaurant reviews) and media (the oral vs written tradition, ekphrasis, and semiotic transfers). This book will be of interest to students and academics in stylistics, cognitive linguistics, discourse analysis, ecostylistics, and multimodality.

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Reading guide

Themes, characters and key ideas in Style and Sense(s), written by Chaptra AI.

  • about 12 hours
  • advanced
  • Scholarly
  • Analytical
  • Insightful

Linda Pillière and Sandrine Sorlin's "Style and Sense(s)" is a rigorous academic exploration into the intricate relationship between linguistic style and the construction of meaning. The book delves into how specific stylistic choices, at various levels of linguistic analysis, actively shape and convey different 'senses' or interpretations in texts. It moves beyond viewing style as mere ornamentation, positing it as a fundamental component of comprehension and communication. Through detailed analysis, the authors illuminate the cognitive and communicative functions of stylistic devices, offering a comprehensive framework for understanding textual meaning-making.

Style is not merely an aesthetic embellishment, but an indispensable architect of meaning, shaping perception at every textual turn.

Key themes

The Inseparability of Style and Sense
This is the core argument of the book, asserting that stylistic choices are not merely superficial but are fundamental to the creation and reception of meaning. The theme explores how every linguistic decision, from word choice to sentence structure, actively shapes the interpretation and impact of a text. It challenges the traditional dichotomy between form and content, arguing for their intrinsic unity.
The Multiplicity of Senses (Polysemy and Interpretation)
This theme, highlighted by the plural 'Sense(s)' in the title, explores how stylistic choices can lead to diverse, layered, or even ambiguous interpretations. It delves into the idea that meaning is not monolithic but often polysemous, allowing for multiple valid readings depending on reader engagement, context, and the inherent richness of linguistic expression. The book likely examines how stylistic features invite and manage this multiplicity.
Cognitive and Experiential Dimensions of Style
This theme investigates how stylistic features engage the reader's cognitive processes and evoke sensory or emotional experiences. It moves beyond purely linguistic analysis to consider the psychological impact of style, exploring how language can create mental images, trigger emotions, or simulate physical sensations. The book likely draws on cognitive linguistics and psychology to explain these connections.

Worth discussing

How do Pillière and Sorlin challenge traditional views of style as mere ornamentation? What are the implications of their argument for literary criticism?

Chapter-by-chapter breakdowns, character arcs and the full thematic analysis come with a free account.

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