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Shakespeare, Ben Jonson, Beaumont and Fletcher
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More by Samuel Taylor Coleridge
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A clearer way to understand Shakespeare, Ben Jonson, Beaumont and Fletcher through themes, characters, and key ideas
This reading guide highlights what stands out in Shakespeare, Ben Jonson, Beaumont and Fletcher through 5 core themes, 4 character profiles, and 4 chapter-level ideas. It is meant to help readers decide whether the book fits their taste and deepen the reading once they begin.
About this book
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What the book is doing
Samuel Taylor Coleridge's "Shakespeare, Ben Jonson, Beaumont and Fletcher" is a seminal work of literary criticism from the late 19th century, offering a profound analysis of these prominent English playwrights. Coleridge meticulously examines their dramatic techniques, poetic artistry, and characterizations, with a particular emphasis on Shakespeare's unparalleled contributions to theatre. The work begins by establishing a foundational understanding of poetry itself, distinguishing it from science and prose, and exploring its capacity for evoking pleasure and emotional depth. It traces the evolution of drama from its Greek origins to the complex forms perfected by Shakespeare, delving into the interplay of tragic and comic elements and the crucial role of audience engagement. This collection of notes and lectures serves as a cornerstone for understanding Romantic-era literary thought and its approach to dramatic literature.
Key Themes
The Nature of Poetry and Drama
Coleridge profoundly explores what constitutes poetry, distinguishing it from other forms of writing and emphasizing its role in evoking pleasure, emotion, and engaging the whole soul. He applies these principles to drama, examining how playwrights achieve poetic and dramatic effect.
Evolution of Dramatic Form
Coleridge traces the historical development of drama from ancient Greek tragedy to the more complex and nuanced forms found in Elizabethan and Jacobean theatre. He highlights how dramatic conventions and thematic concerns evolved, leading to Shakespeare's unique synthesis.
“The primary object of poetry is to give pleasure, not by the communication of truth, but by the excitement of passion.”
How does Coleridge's definition of poetry at the outset influence his subsequent analysis of dramatic works?
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