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Cover of Plays by August Strindberg, Second series

Plays by August Strindberg, Second series

Written by August Strindberg

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About this book

"Plays by August Strindberg, Second Series" by August Strindberg is a collection of dramatic works written during the late 19th century. This series includes plays that explore complex themes of morality, relationships, and societal challenges, featuring notable characters such as Maurice, a playwright, and Jeanne, his mistress, as they navigate the intricacies of love, ambition, and ethical dilemmas in the backdrop of Paris. At the start of the works, particularly in "There Are Crimes and Crimes," we meet Maurice and Jeanne as they wait in a cemetery, revealing the emotional tensions surrounding their relationship and the impending success or failure of Maurice's latest play. Their daughter, Marion, plays a significant role in the emotional landscape, highlighting parental responsibilities and the undercurrents of guilt that plague Maurice. The opening scenes set the stage for a deeper exploration of themes concerning the fragility of happiness, the weight of expectations, and the often harsh judgments of society that will unfold as the narrative progresses. As characters grapple with their destinies, they are drawn into a whirlwind of events entwined with existential themes and moral quandaries.

Reading guide

Themes, characters and key ideas in Plays by August Strindberg, Second series, written by Chaptra AI.

  • about 8 hours
  • advanced
  • dark
  • intense
  • psychological

August Strindberg's "Plays, Second Series" delves into the intricate psychological landscapes and moral dilemmas of late 19th-century society, exemplified by "There Are Crimes and Crimes." The collection explores themes of ambition, guilt, societal judgment, and the fragile nature of happiness through intense character studies. Set against the backdrop of Paris, the plays, particularly the featured drama, present characters like Maurice, a playwright, and his mistress Jeanne, grappling with the consequences of their choices and the profound impact of their actions on their daughter, Marion. Strindberg masterfully uses dramatic tension and raw emotion to expose the undercurrents of human depravity and the often-harsh realities of ethical compromise. The series solidifies Strindberg's reputation as a pioneer of modern psychological drama, dissecting the human condition with unflinching honesty and existential depth.

"There are crimes and crimes, but the greatest crime is to escape judgment, even from oneself."

Key themes

Morality and Guilt
This theme is central to "There Are Crimes and Crimes," exploring the complex nature of wrongdoing beyond legal definitions. Strindberg delves into how internal guilt and the perception of a 'moral crime' can be as devastating, if not more so, than an actual criminal act. Maurice's torment stems from his perceived culpability for Marion's death, even without direct action.
Ambition vs. Ethics
The play vividly portrays the struggle between personal ambition, particularly artistic ambition, and ethical responsibility. Maurice's pursuit of success leads him to neglect his family and engage in an illicit affair, suggesting a Faustian bargain where success comes at a profound moral cost.
The Fragility of Happiness
Strindberg frequently explores how fleeting and precarious happiness can be, especially when built on morally dubious foundations. Maurice's moment of triumph and perceived happiness is almost immediately shattered by tragedy and guilt, illustrating how external success does not guarantee internal peace.

Worth discussing

How does Strindberg define 'crime' in "There Are Crimes and Crimes" beyond legal transgression?

Chapter-by-chapter breakdowns, character arcs and the full thematic analysis come with a free account.

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