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Plays by August Strindberg, Second series
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A clearer way to understand Plays by August Strindberg, Second series through themes, characters, and key ideas
This reading guide highlights what stands out in Plays by August Strindberg, Second series through 4 core themes, 3 character profiles, and 2 chapter-level ideas. It is meant to help readers decide whether the book fits their taste and deepen the reading once they begin.
About this book
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What the book is doing
August Strindberg's "Plays, Second Series" delves into the intricate psychological landscapes and moral dilemmas of late 19th-century society, exemplified by "There Are Crimes and Crimes." The collection explores themes of ambition, guilt, societal judgment, and the fragile nature of happiness through intense character studies. Set against the backdrop of Paris, the plays, particularly the featured drama, present characters like Maurice, a playwright, and his mistress Jeanne, grappling with the consequences of their choices and the profound impact of their actions on their daughter, Marion. Strindberg masterfully uses dramatic tension and raw emotion to expose the undercurrents of human depravity and the often-harsh realities of ethical compromise. The series solidifies Strindberg's reputation as a pioneer of modern psychological drama, dissecting the human condition with unflinching honesty and existential depth.
Key Themes
Morality and Guilt
This theme is central to "There Are Crimes and Crimes," exploring the complex nature of wrongdoing beyond legal definitions. Strindberg delves into how internal guilt and the perception of a 'moral crime' can be as devastating, if not more so, than an actual criminal act. Maurice's torment stems from his perceived culpability for Marion's death, even without direct action.
Ambition vs. Ethics
The play vividly portrays the struggle between personal ambition, particularly artistic ambition, and ethical responsibility. Maurice's pursuit of success leads him to neglect his family and engage in an illicit affair, suggesting a Faustian bargain where success comes at a profound moral cost.
“"There are crimes and crimes, but the greatest crime is to escape judgment, even from oneself."”
How does Strindberg define 'crime' in "There Are Crimes and Crimes" beyond legal transgression?
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