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Pinocchio in Africa

Written by Eugenio Cherubini

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About this book

"Pinocchio in Africa" by Eugenio Cherubini is a fictional adventure that draws inspiration from the classic tale of Pinocchio, written in the early 20th century. The story chronicles the escapades of Pinocchio, a wooden marionette, as he embarks on an adventurous journey to Africa, leaving behind his traditional schooling for a world full of wild animals, exotic landscapes, and unexpected challenges. As he pursues wealth and the thrill of adventure, readers are treated to a whimsical narrative that maintains the charm and moral undertones of the original Pinocchio story. The opening portion of the book introduces Pinocchio's initial ambition to study, which quickly falls by the wayside when he is captivated by the arrival of a circus in town. Ignoring his homework, he is drawn into the vibrant and chaotic spectacle of the circus, mingling with exotic performers and animals. Through his fascination, Pinocchio decides to set off for Africa in search of riches, somewhat naively driven by the fantastical tales he hears. His initial encounters with the circus and his contemplation of adventure set the stage for a journey filled with wild experiences, hinting at the mixture of mischief and life lessons that will come as he navigates African adventures.

Reading guide

Themes, characters and key ideas in Pinocchio in Africa, written by Chaptra AI.

  • about 6 hours
  • advanced
  • problematic
  • historical
  • propagandistic

Eugenio Cherubini's "Pinocchio in Africa" is a deeply problematic sequel to Collodi's classic, published in 1913, serving as a thinly veiled piece of Italian colonial propaganda. The story follows Pinocchio, now a young boy rather than a puppet, as he embarks on an adventure to Italian Eritrea and other parts of Africa. Through his journey, the book attempts to justify Italian imperialism by depicting African people as primitive, savage, and in need of European 'civilization,' with Pinocchio acting as a benign agent of this colonial mission. It is a significant historical document illustrating prevalent racist and colonialist attitudes of early 20th-century Italy, rather than a standalone work of literary merit.

"Pinocchio... found himself in the midst of a multitude of blacks, naked, ugly, and wild."

Key themes

Colonialism and Imperialism
This is the overarching theme. The entire narrative is constructed to promote and justify Italian colonial expansion in Africa. Pinocchio's journey is a metaphorical 'civilizing mission,' where the 'primitive' African continent is presented as a territory ripe for European intervention, exploitation, and 'improvement.' The book implicitly argues for the benefits of colonial rule for both the colonizers and the colonized.
Racism and Dehumanization
The book is saturated with explicit racism. African people are consistently stripped of their individuality and humanity, reduced to crude caricatures defined by their perceived 'otherness' and inferiority. This dehumanization serves to rationalize their subjugation and exploitation under colonial rule, making it easier for the European audience to accept their treatment as necessary or natural.
The 'Civilizing Mission'
A key tenet of colonial ideology, the 'civilizing mission' posits that European powers had a moral duty to 'civilize' supposedly 'backward' non-European peoples. In the book, Pinocchio, and by extension Italy, is depicted as bringing order, progress, education, and enlightenment to Africa, justifying the colonial project as a benevolent act rather than an act of conquest and exploitation.

Worth discussing

How does 'Pinocchio in Africa' utilize a beloved character to disseminate colonial propaganda and racist stereotypes?

Chapter-by-chapter breakdowns, character arcs and the full thematic analysis come with a free account.

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