
Pinocchio in Africa
Written by Eugenio Cherubini
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About this book
Reading guide
Themes, characters and key ideas in Pinocchio in Africa, written by Chaptra AI.
- about 6 hours
- advanced
- problematic
- historical
- propagandistic
Eugenio Cherubini's "Pinocchio in Africa" is a deeply problematic sequel to Collodi's classic, published in 1913, serving as a thinly veiled piece of Italian colonial propaganda. The story follows Pinocchio, now a young boy rather than a puppet, as he embarks on an adventure to Italian Eritrea and other parts of Africa. Through his journey, the book attempts to justify Italian imperialism by depicting African people as primitive, savage, and in need of European 'civilization,' with Pinocchio acting as a benign agent of this colonial mission. It is a significant historical document illustrating prevalent racist and colonialist attitudes of early 20th-century Italy, rather than a standalone work of literary merit.
“"Pinocchio... found himself in the midst of a multitude of blacks, naked, ugly, and wild."”
Key themes
- Colonialism and Imperialism
- This is the overarching theme. The entire narrative is constructed to promote and justify Italian colonial expansion in Africa. Pinocchio's journey is a metaphorical 'civilizing mission,' where the 'primitive' African continent is presented as a territory ripe for European intervention, exploitation, and 'improvement.' The book implicitly argues for the benefits of colonial rule for both the colonizers and the colonized.
- Racism and Dehumanization
- The book is saturated with explicit racism. African people are consistently stripped of their individuality and humanity, reduced to crude caricatures defined by their perceived 'otherness' and inferiority. This dehumanization serves to rationalize their subjugation and exploitation under colonial rule, making it easier for the European audience to accept their treatment as necessary or natural.
- The 'Civilizing Mission'
- A key tenet of colonial ideology, the 'civilizing mission' posits that European powers had a moral duty to 'civilize' supposedly 'backward' non-European peoples. In the book, Pinocchio, and by extension Italy, is depicted as bringing order, progress, education, and enlightenment to Africa, justifying the colonial project as a benevolent act rather than an act of conquest and exploitation.
Worth discussing
How does 'Pinocchio in Africa' utilize a beloved character to disseminate colonial propaganda and racist stereotypes?
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