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Hieroglyfic: or, a Grammatical Introduction to an Universal Hieroglyfic Language
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A clearer way to understand Hieroglyfic: or, a Grammatical Introduction to an Universal Hieroglyfic Language through themes, characters, and key ideas
This reading guide highlights what stands out in Hieroglyfic: or, a Grammatical Introduction to an Universal Hieroglyfic Language through 4 core themes, 1 character profile, and 1 chapter-level idea. It is meant to help readers decide whether the book fits their taste and deepen the reading once they begin.
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What the book is doing
Rowland Jones's "Hieroglyfic" is a late 17th-century philosophical treatise proposing a universal hieroglyphic language designed to restore clarity to contemporary languages. It posits that human speech is a divine gift, intrinsically linked to nature and the universe, which has since become corrupted. Jones critiques existing linguistic methods, advocating for a return to a 'primitive' understanding of language through a structured examination of its principles, drawing connections between English, Welsh, Greek, and Latin. The work delves into the nature of man, the origins of speech, and the philosophical underpinnings of language, inviting readers into a profound inquiry into the intersections of language, thought, and identity. Through this ambitious project, Jones aims to bridge linguistic divides and re-establish a foundational, universal mode of communication.
Key Themes
The Quest for a Universal Language
The central ambition of the book is to delineate a 'universal hieroglyphic language.' This theme explores the historical and philosophical desire to overcome linguistic barriers, not just for practical communication but for deeper conceptual clarity. Jones believes such a language would reconnect 'English signs and voices' with the roots of Welsh, Greek, and Latin, suggesting a deeper, underlying unity of human thought and expression.
The Divine Origin and Corruption of Language
Jones posits that human speech is a 'divine gift,' suggesting a sacred or inherent connection between language and the divine order of the universe. He argues that this pristine, original form of language has been 'corrupted' over time, leading to the linguistic chaos and misunderstanding prevalent in his era. This theme underscores a longing for a return to an idealized, pure state of communication.
“Human speech is a divine gift, entwined with nature and the universe.”
What are the implications of viewing language as a 'divine gift' rather than a purely human construct?
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