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Every Man out of His Humour

Written by Ben Jonson

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About this book

"Every Man Out of His Humour" by Ben Jonson is a comedic play written in the late 16th century, often recognized as a significant work in the realm of English drama. This play showcases Jonson's innovative approach to character development through the concept of 'humours', where each character embodies a specific trait that shapes their actions and interactions. The narrative predominantly revolves around the life and follies of various characters including the envious Macilente, the pompous Puntarvolo, and the fool Sogliardo, providing both comedic entertainment and social commentary on human behavior. The opening of the play introduces a series of characters, each vividly described and representative of the themes of folly and ambition. Asper, the presenter, addresses the audience with a critique of societal norms, asserting his intention to expose the absurdities of his time. As the dialogue unfolds, we encounter Macilente, who laments his envy entangled with the success of others, and Sogliardo, an aspiring gentleman eager to shed his lower-class origins. These initial exchanges outline Jonson's satirical take on societal aspirations, class distinctions, and the human condition, setting the tone for the exploration of various humours throughout the play. The opening thus not only introduces the characters but also establishes a humorous yet critical perspective on societal pretensions, encapsulated within the framework of Jonson's comedic style.

Reading guide

Themes, characters and key ideas in Every Man out of His Humour, written by Chaptra AI.

  • about 8 hours
  • advanced
  • humorous
  • satirical
  • didactic

Ben Jonson's "Every Man out of His Humour" is a groundbreaking late 16th-century comedic play that pioneers the concept of 'humours' as a defining characteristic for its diverse cast. The play serves as a biting social satire, dissecting various forms of human folly, pretension, and vice through an episodic narrative rather than a conventional plot. Framed by the didactic figure of Asper (Jonson's alter-ego), it systematically exposes the absurdities of characters like the envious Macilente, the pompous Puntarvolo, and the aspiring gentleman Sogliardo. Ultimately, the play aims to both entertain and morally instruct, advocating for the correction of societal 'humours' through the mirror of dramatic art.

"Why, then, a humour is nothing but a sinister and perverse affection of the mind, that takes a man quite beside himself."

Key themes

The Humours and Human Folly
The central theme, explored through Jonson's innovative application of the 'humours' theory. Each character embodies an exaggerated psychological trait (envy, vanity, pompousness, social ambition) that dictates their actions and perceptions. The play demonstrates how these imbalanced 'humours' lead to irrational behavior, social discord, and personal folly, becoming the primary target of Jonson's satire.
Social Pretension and Ambition
Jonson meticulously satirizes the widespread desire for upward social mobility and the adoption of superficial markers of status among the burgeoning London gentry and merchant classes. Characters strive to appear witty, fashionable, and noble, often resorting to imitation, affectation, and outright deception, rather than cultivating genuine virtue or merit.
The Role of the Artist and Satire
Through the figure of Asper (and later Macilente), Jonson explicitly articulates his theory of dramatic art: that comedy should be a moral instrument, holding a mirror up to society to expose and correct its vices. Satire is presented not merely as entertainment, but as a necessary, though often unwelcome, force for social improvement and the purging of 'humours.'

Worth discussing

How does Jonson's 'humours' theory define character in the play, and what are its strengths and limitations compared to more psychologically complex characterizations?

Chapter-by-chapter breakdowns, character arcs and the full thematic analysis come with a free account.

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