
Every Man out of His Humour
Written by Ben Jonson
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Reading guide
Themes, characters and key ideas in Every Man out of His Humour, written by Chaptra AI.
- about 8 hours
- advanced
- humorous
- satirical
- didactic
Ben Jonson's "Every Man out of His Humour" is a groundbreaking late 16th-century comedic play that pioneers the concept of 'humours' as a defining characteristic for its diverse cast. The play serves as a biting social satire, dissecting various forms of human folly, pretension, and vice through an episodic narrative rather than a conventional plot. Framed by the didactic figure of Asper (Jonson's alter-ego), it systematically exposes the absurdities of characters like the envious Macilente, the pompous Puntarvolo, and the aspiring gentleman Sogliardo. Ultimately, the play aims to both entertain and morally instruct, advocating for the correction of societal 'humours' through the mirror of dramatic art.
“"Why, then, a humour is nothing but a sinister and perverse affection of the mind, that takes a man quite beside himself."”
Key themes
- The Humours and Human Folly
- The central theme, explored through Jonson's innovative application of the 'humours' theory. Each character embodies an exaggerated psychological trait (envy, vanity, pompousness, social ambition) that dictates their actions and perceptions. The play demonstrates how these imbalanced 'humours' lead to irrational behavior, social discord, and personal folly, becoming the primary target of Jonson's satire.
- Social Pretension and Ambition
- Jonson meticulously satirizes the widespread desire for upward social mobility and the adoption of superficial markers of status among the burgeoning London gentry and merchant classes. Characters strive to appear witty, fashionable, and noble, often resorting to imitation, affectation, and outright deception, rather than cultivating genuine virtue or merit.
- The Role of the Artist and Satire
- Through the figure of Asper (and later Macilente), Jonson explicitly articulates his theory of dramatic art: that comedy should be a moral instrument, holding a mirror up to society to expose and correct its vices. Satire is presented not merely as entertainment, but as a necessary, though often unwelcome, force for social improvement and the purging of 'humours.'
Worth discussing
How does Jonson's 'humours' theory define character in the play, and what are its strengths and limitations compared to more psychologically complex characterizations?
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