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English Painters, with a Chapter on American Painters

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About this book

"English Painters, with a Chapter on American Painters" by H. J. Wilmot-Buxton and S. R. Koehler is an illustrated handbook of art history written in the late 19th century. This work provides a comprehensive exploration of the history and development of painting in England, tracing the influence of foreign artists and detailing the contributions of notable English painters from early periods up until the 18th century, including figures such as Hogarth, Reynolds, and Gainsborough. The opening of this handbook sets the stage for an in-depth examination of early English art, arguing against the misconception that England was devoid of artistic merit before the Renaissance. Wilmot-Buxton notes the contributions of lesser-known figures and sketches a narrative around the significant but often overlooked medieval and early modern English painters. The text highlights the gradual evolution of English painting, emphasizing how various foreign influences shaped local artistry, culminating in a uniquely English style that developed a distinct identity, particularly through the works of pivotal artists in the 18th century.
Language
English
Publisher
Project Gutenberg
Release date
Unknown
Downloads
582

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A clearer way to understand English Painters, with a Chapter on American Painters through themes, characters, and key ideas

This reading guide highlights what stands out in English Painters, with a Chapter on American Painters through 3 core themes, 4 character profiles. It is meant to help readers decide whether the book fits their taste and deepen the reading once they begin.

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~12h readintermediateInformativeHistoricalAnalytical

What the book is doing

English Painters, with a Chapter on American Painters, by H. J. Wilmot-Buxton and S. R. Koehler, is a late 19th-century illustrated art history handbook. It meticulously chronicles the development of English painting from its early, often overlooked, medieval origins through the influential 18th century, challenging the notion of an artistic void before the Renaissance. The book details the significant impact of foreign artistic currents on local artistry, ultimately tracing the emergence of a distinct national style exemplified by masters like Hogarth, Reynolds, and Gainsborough. A dedicated chapter extends this historical survey to American painters, providing a comprehensive, foundational overview for its era.

Key Themes

The Evolution of English National Identity in Art

This theme explores how English painting, initially shaped by diverse foreign influences, gradually developed a distinct character and style that came to be recognized as uniquely 'English.' The book traces this journey from early medieval works to the established masters of the 18th century, demonstrating how art reflected and contributed to a sense of national self-awareness.

Influence and Adaptation in Artistic Development

The book meticulously details how English art was not created in isolation but was profoundly shaped by the influx of foreign artists, ideas, and techniques from continental Europe. It highlights the process of adaptation, where external influences were absorbed, modified, and integrated into local artistic practices, leading to new and hybrid forms.

A line worth noting
Against the prevailing notion, English art boasts a rich heritage predating the Renaissance, a continuous thread of creativity often overlooked.
A good discussion starter

How does Wilmot-Buxton's argument for a continuous English artistic tradition challenge or confirm your prior understanding of art history?

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