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Cover of Creative Intelligence: Essays in the Pragmatic Attitude

Creative Intelligence: Essays in the Pragmatic Attitude

Written by John Dewey,James Hayden Tufts,Horace Meyer Kallen,Boyd Henry Bode,Harold Chapman Brown,George H. Mead,Addison Webster Moore,Henry Waldgrave Stuart

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About this book

"Creative Intelligence: Essays in the Pragmatic Attitude" by John Dewey et al. is a collection of philosophical essays written in the early 20th century. The work seeks to explore the concept of creative intelligence from a pragmatic perspective, addressing its application across various fields such as philosophy, logic, psychology, and ethics. The essays aim to encourage a re-evaluation of traditional philosophical problems, emphasizing a more dynamic understanding of intelligence and experience. The opening of the book begins with a prefatory note that sets the tone for the essays to follow, explaining the intent to promote an intellectual collaboration rather than adherence to a single set of beliefs. John Dewey’s introduction discusses the stagnation of philosophical thought due to its traditional ties and calls for a necessary recovery of philosophy that responds to contemporary issues. He emphasizes the need for philosophy to engage directly with the evolving complexities of modern life, arguing that philosophers must reevaluate longstanding problems in light of new scientific and social developments to remain relevant and beneficial to human experience.

Reading guide

Themes, characters and key ideas in Creative Intelligence: Essays in the Pragmatic Attitude, written by Chaptra AI.

  • about 20 hours
  • advanced
  • Intellectual
  • Analytical
  • Reformist

Creative Intelligence: Essays in the Pragmatic Attitude is a foundational collection of early 20th-century philosophical essays by prominent American pragmatists, including John Dewey and George H. Mead. The book collectively champions 'creative intelligence' as a dynamic, problem-solving approach to understanding the world, contrasting it with static, traditional philosophical methods. It argues for a pragmatic philosophy rooted in experience and inquiry, seeking to make thought relevant to contemporary social, scientific, and ethical challenges. The essays explore this attitude across logic, psychology, and ethics, aiming to revitalize philosophy by emphasizing intellectual collaboration and practical application over dogmatic adherence.

Philosophy recovers itself when it ceases to be a device for dealing with the problems of philosophers and becomes a method, cultivated by philosophers, for dealing with the problems of men.

Key themes

The Nature of Creative Intelligence
This is the central, eponymous theme of the book. It explores intelligence not as a passive capacity for understanding fixed truths, but as an active, dynamic, and reconstructive process inherent in human experience. Creative intelligence involves problem-solving, adaptation, inquiry, and the continuous reconstruction of beliefs and values in response to novel situations. It emphasizes the instrumental function of ideas and the experimental nature of knowledge.
Pragmatism and Experience
The collection is a foundational text for American pragmatism, emphasizing experience as the fundamental medium of knowledge and interaction. It rejects dualistic philosophies that separate mind from body, subject from object, or theory from practice. Instead, experience is presented as a continuous, transactional process where humans are actively engaged with their environment, and knowledge emerges from this engagement. Truth is evaluated by its practical consequences and effectiveness in guiding action within experience.
Critique of Traditional Philosophy
A major thrust of the book is a critical re-evaluation and rejection of what the authors perceive as the static, detached, and often irrelevant concerns of traditional Western philosophy. They argue that philosophy became isolated by pursuing absolute, unchanging truths, creating artificial problems, and failing to engage with the dynamic realities of scientific discovery and social change. The essays seek to dismantle these inherited frameworks and replace them with a more dynamic, instrumental, and socially engaged approach.

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How does 'creative intelligence' as defined in the essays differ from traditional notions of intelligence or philosophical inquiry?

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