Skip to main content
Chaptra
Cover of Corea or Cho-sen: The Land of the Morning Calm

Corea or Cho-sen: The Land of the Morning Calm

Written by Arnold Henry Savage Landor

Not rated yet — tap a star to review it

Chaptra reads alongside you — AI insights, chapter breakdowns and reader discussions for every book. Join free

About this book

"Corea or Cho-sen: The Land of the Morning Calm" by A. Henry Savage-Landor is a travelogue and cultural exploration written in the late 19th century. This work provides an in-depth look at the customs, landscape, and people of Corea (now known as Korea), reflecting the author's personal observations from his extended stay in the region. The narrative is rich with details about Corean life, including its history, societal norms, and the bustling port cities that Landor encounters on his journey. The opening of the book sets the stage for Landor's adventures as he describes his journey to Corea on a Christmas Day steamer from Japan in 1890. He vividly recounts his first experiences upon arrival at the port of Fusan, including his interactions with various individuals, such as a body-snatcher whose story hints at the country's complex history. Landor's writing captures the unique atmosphere of the Corean landscape and the people he meets, ranging from amused sailors to curious locals, while also touching on the important economic role of cotton production in the region. This section effectively introduces the reader to the colorful tapestry of Corean society that Landor seeks to document throughout the book.

Reading guide

Themes, characters and key ideas in Corea or Cho-sen: The Land of the Morning Calm, written by Chaptra AI.

  • about 10 hours
  • intermediate
  • observational
  • exploratory
  • historical

A. Henry Savage-Landor's "Corea or Cho-sen: The Land of the Morning Calm" is a late 19th-century travelogue offering a detailed, first-hand account of Korea (then Corea or Cho-sen) through the eyes of a British explorer. Beginning with his Christmas Day arrival in Fusan in 1890, Landor meticulously documents the country's customs, landscapes, and people, providing a vivid snapshot of a nation on the cusp of significant change. The narrative blends personal adventure with ethnographic observation, detailing interactions with locals, societal norms, and economic activities like cotton production. Through his extensive travels and encounters, Landor paints a comprehensive picture of Corean life, history, and culture, revealing both its unique charm and the complexities of its position in the world.

Upon landing at Fusan, the very air seemed to hum with the ancient pulse of a nation, a stark contrast to the fleeting modernity I had left behind in Japan.

Key themes

Cultural Observation and Ethnocentrism
The book is fundamentally an act of cultural observation, with Landor meticulously detailing Corean customs, social structures, and daily life. However, this observation is filtered through a late 19th-century European lens, often leading to implicit or explicit comparisons with Western norms and occasional ethnocentric judgments of Corean practices as 'peculiar' or 'backward'. This theme explores the challenges and biases inherent in cross-cultural interpretation.
Tradition vs. Modernity
Corea in 1890 was a nation poised on the brink of significant change, caught between deeply entrenched ancient traditions and the encroaching influences of modernization, often spurred by Western and Japanese powers. Landor observes a society where traditional ways of life, governance, and economy still dominate, but where the first whispers and visible signs of modernization are beginning to appear, creating a palpable tension.
The Imperial Gaze and Political Context
While not explicitly a political treatise, Landor's travelogue is deeply embedded in the geopolitical context of the late 19th century, an era of intense European and Japanese imperial expansion. His observations often touch upon Corea's vulnerability, its relations with neighboring powers (China, Japan, Russia), and the perceived 'backwardness' that often served as a justification for foreign intervention. The book implicitly reflects the power dynamics of the time.

Worth discussing

How does Landor's 'colonial gaze' influence his observations of Corean culture, and how might a modern ethnographer approach the same subject differently?

Chapter-by-chapter breakdowns, character arcs and the full thematic analysis come with a free account.

Discussions

No one has started one yet

Join

Questions this book opens up

No discussions yet

Be the first to start a discussion about this book!

Sign up to start the discussion

Reviews

No reviews yet

Be the first to review this book!