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Cover of Callista : a Tale of the Third Century

Callista : a Tale of the Third Century

Written by John Henry Newman

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Historical fictionChristian fictionChurch historyTunisia

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About this book

"Callista: A Tale of the Third Century" by John Henry Newman is a historical novel written in the mid-19th century. This fiction explores the complex interactions and emotional landscapes of Christians and pagans during the third century in the Roman Empire, primarily focusing on the titular character, Callista, and those around her. The narrative seeks to illuminate the spiritual and societal dilemmas faced by individuals caught between these two worlds. The opening of the tale introduces the lush and vibrant setting of Sicca Veneria, a Roman colony in North Africa, vividly described with its beautiful landscapes and stark contrasts between decadence and tranquility. We meet Agellius, a young man grappling with his faith and the tension of living in a pagan society, as he interacts with a variety of characters, including his brother Juba who is indifferent to the faith. This initial part establishes the backdrop for upcoming conflicts, setting the stage for deeper explorations of faith, identity, and the overarching presence of Christianity in a predominantly pagan world.

Reading guide

Themes, characters and key ideas in Callista : a Tale of the Third Century, written by Chaptra AI.

  • about 10 hours
  • advanced
  • serious
  • contemplative
  • spiritual

John Henry Newman's "Callista: A Tale of the Third Century" is a historical novel set in Roman North Africa during the Decian persecutions. It intricately explores the spiritual journey of Callista, a talented pagan sculptor, as she grapples with the emptiness of paganism and the profound truth of Christianity. Through her interactions with a conflicted young Christian named Agellius and various other characters, Newman illuminates the clash between the decadent Roman world and the burgeoning, persecuted Christian faith. The narrative culminates in Callista's conversion and eventual martyrdom, serving as an apologetic work that showcases the logical and emotional draw of early Christianity amidst a hostile empire.

“"The heart is a sanctuary, which the world may not profane, but which it may tempt." (Paraphrased, reflecting Newman's focus on inner life and temptation)”

Key themes

Faith vs. Paganism/Atheism
The central theme of the novel, exploring the fundamental differences between the polytheistic, often superstitious, and morally ambiguous world of paganism, and the monotheistic, ethically demanding, and spiritually fulfilling nature of Christianity. Newman argues for the intellectual and moral superiority of Christianity.
Martyrdom and Suffering
The novel portrays martyrdom not as a tragic end, but as the ultimate act of faith, a testament to divine truth, and a means of spiritual purification and triumph. It highlights the courage of early Christians in the face of persecution and the transformative power of suffering for one's beliefs.
Conversion and Spiritual Journey
The novel meticulously charts the internal and external processes of conversion, particularly through Callista's experience. It shows how intellectual doubt, moral conviction, and divine grace interact to lead an individual from one belief system to another, emphasizing the personal and often arduous nature of such a journey.

Worth discussing

How does Newman portray the spiritual emptiness of paganism compared to the fullness of Christian faith?

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