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Cover of Animal Carvings from Mounds of the Mississippi Valley: Second Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, Government Printing Office, Washington, 1883, pages 117-166

Animal Carvings from Mounds of the Mississippi Valley: Second Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, Government Printing Office, Washington, 1883, pages 117-166

Written by Henry W. (Henry Wetherbee) Henshaw

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About this book

"Animal Carvings from Mounds of the Mississippi Valley" by Henry W. Henshaw is a scientific publication written in the late 19th century. This work explores the artistic skill and significance of sculptures found in the ancient mounds of the Mississippi Valley, particularly focusing on their representations of animals. The author's examination seeks to challenge existing theories regarding the Mound-Builders’ artistic capabilities, as well as the accuracy of identification of the depicted species. The opening of the text introduces the subject matter by addressing the artistic accomplishments of the Mound-Builders, stating that their carvings have captured the attention of archaeologists due to their apparent skill. Henshaw emphasizes the need for critical examination of these artworks, noting that there may have been significant errors in the identification of the animals depicted. He questions the assumption that these sculptures reflect a higher artistic standard than those of North American Indians, suggesting that the carvings’ resemblance to actual animals should be scrutinized. The initial sections lay out the groundwork for a detailed analysis of specific carvings and their implications regarding the culture and knowledge of the Mound-Builders.

Reading guide

Themes, characters and key ideas in Animal Carvings from Mounds of the Mississippi Valley: Second Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, Government Printing Office, Washington, 1883, pages 117-166, written by Chaptra AI.

  • about 3 hours
  • advanced
  • Analytical
  • Scholarly
  • Investigative

Henry W. Henshaw's "Animal Carvings from Mounds of the Mississippi Valley" is a late 19th-century scientific publication critically examining the artistic and ethnological significance of animal sculptures found in ancient Mississippi Valley mounds. Henshaw challenges prevailing archaeological theories by scrutinizing the accuracy of species identification in these carvings and questioning the assumption of superior artistic skill among the Mound-Builders compared to other North American Indians. The work advocates for a more rigorous, skeptical approach to interpreting these artifacts, laying groundwork for a detailed analysis of specific carvings to inform understanding of the Mound-Builders' culture and knowledge.

The apparent skill of these carvings has captured the attention of archaeologists, yet a critical examination reveals the need to scrutinize their supposed artistic accomplishments.

Key themes

Scientific Objectivity and Skepticism
Henshaw's core argument is a plea for rigorous scientific methodology, emphasizing skepticism towards prevailing assumptions and a commitment to empirical evidence. He challenges the uncritical acceptance of previous interpretations, advocating for a detached and objective examination of artifacts. This theme underscores the importance of questioning established narratives in scientific inquiry.
Interpretation of Indigenous Art and Culture
The work delves into the complexities of interpreting artistic representations from ancient cultures. Henshaw specifically addresses the difficulties in accurately identifying animal species depicted in carvings and critically evaluating the artistic prowess of the creators. This theme highlights the challenges of cross-cultural artistic assessment and the potential for misinterpretation based on ethnocentric viewpoints.
Challenging Historical Narratives and Biases
Henshaw's report implicitly and explicitly challenges the prevailing 19th-century narrative that often separated the 'Mound-Builders' into a distinct, often superior, race compared to other indigenous groups of North America. By questioning their supposed unique artistic skill and the accuracy of interpretations, he undermines a narrative that was frequently used to justify certain colonial attitudes or to deny the sophistication of contemporary Native American cultures.

Worth discussing

How did 19th-century ethnocentric biases influence the initial interpretation of Mound-Builder artifacts, and how does Henshaw attempt to counteract them?

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