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Cover of A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacy

A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacy

Written by William Spalding

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"A Letter on Shakspere's Authorship of The Two Noble Kinsmen" by William Spalding is a critical essay written in the early 19th century. The work delves into the debate on the authorship of the play "The Two Noble Kinsmen," often attributed to both William Shakespeare and John Fletcher. Spalding examines both external historical evidence and the internal stylistic characteristics of the play, ultimately seeking to affirm Shakespeare's involvement in its creation. The opening of the essay sets the stage for a thorough investigation, addressing the uncertainties surrounding the attribution of "The Two Noble Kinsmen" to Shakespeare. Spalding notes the importance of external evidence of authorship, acknowledging that some plays historically associated with Shakespeare may not belong to him, while others may be left out. He emphasizes the significance of the play being publicly credited to both Shakespeare and Fletcher upon its publication, despite showing signs of a distinct Shakespearean touch in language and style. Moreover, he reflects on the peculiarities of Shakespeare's literary voice in comparison to Fletcher's, establishing a framework that suggests an analytical, comparative approach to understanding the authorship debate.

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Reading guide

Themes, characters and key ideas in A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacy, written by Chaptra AI.

  • about 6 hours
  • advanced
  • analytical
  • scholarly
  • persuasive

William Spalding's "A Letter on Shakspere's Authorship of The Two Noble Kinsmen" is a pioneering work of literary criticism from 1833, arguing persuasively for William Shakespeare's part-authorship of the play *The Two Noble Kinsmen*, a collaborative effort often attributed solely or primarily to John Fletcher. Spalding meticulously dissects the play's language, meter, characterization, and thematic depth to distinguish Shakespeare's unique stylistic fingerprints from those of his contemporary. Beyond this specific attribution, the essay delves into the broader characteristics defining Shakespeare's unparalleled style and attempts to uncover the 'secret of his supremacy.' It stands as an early and influential example of what would become modern stylometry in literary analysis, significantly shaping subsequent Shakespearean scholarship.

It is in the union of these two elements – the speculative intellect and the creative imagination – that the secret of Shakspere's supremacy seems to lie.

Key themes

Authorship and Attribution
The central theme is the question of who wrote *The Two Noble Kinsmen*. Spalding meticulously argues for Shakespeare's significant contribution, using internal textual evidence rather than external historical records. This theme explores the challenges of attributing authorship, particularly in an era of theatrical collaboration, and the methods critics employ to identify individual voices.
The Nature of Shakespearean Genius
Beyond the specific authorship question, Spalding delves into what makes Shakespeare's writing unique and supreme. He attempts to define the core characteristics of Shakespeare's style, including his profound psychological insight, his linguistic inventiveness, his ability to blend the mundane with the sublime, and his capacity for universal human observation. This theme explores the elusive qualities that elevate a writer to iconic status.
Literary Criticism as Scientific Inquiry
Spalding's work is an early demonstration of treating literary analysis with a systematic, almost 'scientific' rigor. He uses empirical textual evidence to build his case, moving beyond subjective impressions to detailed comparative analysis. This theme highlights the development of critical methodology and the attempt to bring objectivity and verifiable evidence to the study of literature.

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How does Spalding's methodology for attributing authorship compare to modern stylometric approaches, and what are the strengths and weaknesses of each?

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