A Fine Romance--

"Feminist film theory will soon be a quarter of a century old. It has known the euphoria of the 1970s, experienced the contradictions of the 1980s, and glimpsed the reversals and political gains, which include women of color, of the 1990s." But, Patricia Mellencamp asks, what is the next move? In this challenging look at twenty years of feminist film theory, Mellencamp elaborates on its rich history, drawing on her personal academic life, and offering inventive readings of a remarkable variety of films: recent Hollywood releases like Forest Gump, Pulp Fiction, Thelma and Louise, Basic Instinct, and Silence of the Lambs, and features and independent films made by women, such as The Piano, Angie, Orlando, Bedevil, Daughters of the Dust, Privilege, and Forbidden Love. With a clever sense of irony and wit, Mellencamp poses a question from which her analysis takes off: What did Rapunzel, Cinderella and Snow White forget to tell Thelma and Louise? According to Mellencamp, they forgot what comes after "the end," after the wedding to the prince. So many women's stories, often by choice, stop after the prince whisks the princess away to live happily ever after. This book asks, what does "happily" mean for women? And what does "ever after" cost women? This creative call to shift film feminism's infamous "gaze" from sex and bodies to money and work ascertains where film feminism has been and what it needs to progress. Rather than recycling and regaining the same ground, Mellencamp urges film feminism to explore and claim new territory. Author note: Patricia Mellencamp is Professor of Film and Cultural Theory, Department of Art History, the University of Wisconsin at Milwaukee. She has published several books, including High Anxiety: Catastrophe, Scandal, Ageand Indiscretions: Avant-garde Film, Video, and Feminism.